Akiyama, Tetuzi

Asheim, Nils Henrik

Bailey, Derek

Balke, Jon

Berthling, Johan

Buene, Eivind

Charles, Xavier

Davies, Rhodri

Delbecq, Benoit

Denley, Jim

Doneda, Michel

Duch, Michael Francis

Dörner, Axel

Endresen, Sidsel

Ensemble, Asymmetrical Music

Flaten, Ingebrigt Håker

Gouband, Toma

Grenager, Lene

Grydeland, Ivar

Guy, Barry

Haltli, Frode

Haugerud, Tor

Hayward, Robin

Holm, Klaus Ellerhusen

Hug, Charlotte

Hval, Jenny

Kaasbøll, Anita

Karlsson, Kenneth

Kluften, Tonny

Kornstad, Håkon

Lehn, Thomas

Lo, Kristoffer

Lovens, Paul

Lønning, Eivind

Minton, Phil

Moe , Ole-Henrik

Myhr, Kim

Nakamura, Toshimaru

Neumann, Andrea

Nilssen-Love, Paal

Nystrøm, Rolf Erik

O'Rourke, Jim

Ostendorf, Nils

Oxley, Tony

Pichelin, Marc

Rabben, Bjørn

Ratkje, Maja

Reinertsen, Espen

Rombolá, Alessandra

Rønnekleiv, Kari

Sandell, Sten

Stackenäs, David

Tanaka, Yumiko

Taxt, Martin

Tétreault, Martin

Thomas, Pat

Torvund, Øyvind

Veliotis, Nikos

Volden, Håvard

Vågan, Petter

Wachsmann, Philipp

Wallumrød, Christian

Zach, Ingar

Paul Lovens

Based on info from European
Improvised music pages


Born in Aachen 1949


Paul Lovens played the drums as a child. Self-taught, from the age of 14 he played in groups of various jazz styles and popular musics and from 1969 has worked almost exclusively as an improvisor on individually selected instruments. He has worked internationally with most of the leading musicians in free jazz and free improvisation, among whom have included the Globe Unity Orchestra, the Berlin Contemporary Jazz Orchestra, the Schlippenbach trio, Quintet Moderne, Company, and a duo with Paul Lytton. He has undertaken concert tours in more than 40 countries, is a founder member of a musician's cooperative and has produced recordings for his own label, Po Torch Records since 1976. He has worked with painter Herbert Bardenheuer. Despite very rare solo performances, and although giving occasional concerts with ad-hoc groups and an involvement in projects with film, dance and actors, Paul Lovens' main interest and work is musical improvisation in fixed small groups. In the mid-1990s these small groups numbered around 16, of which a few were part of a special selection, called 'vermögen'.

Paul Lovens somehow epitomises the free drummer/percussionist who is not there to lay down the beat and kick everyone else into action but to listen, colour, contribute, guide, and occasionally direct, the overall cooperative sound. In concert one cannot fail to be moved by his intensity and concentration and there is an overriding feeling that even the most random events are somehow planned in time. In this respect, there is a nice irony that on the These six release on SOFA, Lovens describes his kit as consisting of 'selected and unselected drums and cymbals'.

Paul appears on the following SOFA-releases